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They might not be the first group to have ever used samples from vintage films (older readers may recall through an ecstasy addled haze that The Prodigy started off their career by sampling that old Government ad advising kids not to go off with strangers...possibly using ‘charly’ in an entirely different context altogether) and I’m pretty sure there may have been a few others (answers on a postcard please...). But whereas these bands have often just used the odd sample to flavour one of their tracks Public Service Broadcasting (the band) are building their entire career around them. It’s a neat twist, enhanced by the duo’s adoption of stiff upper lip monikers – J. Willgoose, Esq and Wrigglesworth – and their distinctly vintage live shows. |
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t’s a Friday blast from the past. We’re off to the smallest of the Wolves Civic venues, the Slade Rooms. Support tonight is from Mike Marlin is very possibly a rising star, tonight supporting a band who at one point shone pretty brightly, though longevity and change in music scene proved a staling point. Literally “Reprising” their star tonight it’s Mark Shaw with the boys from Then Jerico. |
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It might have been distinctly uninspiring outside The Flapper tonight (unseasonably nippy and just a trifle moist) but deep in the bowels of this legendary Birmingham boozer and gig venue Patrick Duff (for newcomers yes, he was the lead singer of critically acclaimed late 90s alt rock band Strangelove) is once again delivering the sort of set that makes you glad you’ve got ears. If that sounds a little over dramatic just go and see him first (by the way he's supporting The Blue Aeroplanes on their June tour). |
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Oh Lordi, Oh Lordi! What the føøk did we let ourselves in for this evëning? A phantasmagorical riot of Heavy-Mental, über-latex, preposterous prosthetic excess enough to make the bastard child of a Butlins’ weekend Trekkie/Kiss-Convention bad-idea-shag weep in despair - that’s what! As if the Scandinavians hadn’t already done enough already to stretch horror-fantasy fiction to it’s very limits with tales of Grendel, The Night Stalker and his fiendish Werehag mother - Finland sends us Lordi - 2006 Eurovision Song Contest representatives no less. The horror, the horror. (And, did you see what they’ve done with the Hamlet, Prince of Denmark’s existential crisis pun motif with the tour title, eh?). Escaping Rivita & water punishing diets slaving in the Lego mines must surely be Rock n’Roll Scan salvation. And, so it was for all concerned on this memorable evening. |
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The Computers are a fresh, cool and raw cut band that have been bubbling under the surface for a while now and when you catch a band of this calibre live, its hard not to question why they are not dominating the charts and headlining stages more frequently. |
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Unknown Mortal Orchestra: spawned in the hallucinogenic crucible of Timothy Leary’s lysergic legacy one’s immediate response to these antipodean/US wild-bunch renegades is that they continue to bear the torch championing the practice of bathing in the scented vats of unprescribed pharmaceutical indulgences - possibly. It’s as likely an explanation as any other for their cerebral cortex crushing retro/neo-psychedelic freak-out. And, damnably fine it was too. |
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Alt-J have done pretty well for a band with just one album behind them, selling out Birmingham’s O2, not to mention many other recent gigs. This is especially so given their music is quirky, experimental art rock, which you might expect to have a more limited audience. However, they’ve proved an international success. |
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We at Gig Junkies are big fans of Valerie June, as you may have noticed from our previous review, when she was supporting Jake Bugg. Tonight she’s playing the Rotonde, one of the fabulous Botanique venues in Brussels. All rather special, as this is her first major headline tour, on which she is launching her new album (out in the UK on 6th May). |
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Tonight we’re at the delectable Symphony Hall in Brum. Refined, comfortable and cosy and a venue where you just know the sound will be stunning, we’re here to see some retro (and the new) from electro legend John Foxx and the Maths in support of OMD (aka Orchestral Manoeuvres in the Dark). |
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The reassuring predictability of any Capsule event (nothing so vulgar or prosaic as just a ‘gig’ about Capsule) will be its...well, unpredictability. And none more so that with this electronica/existential/experimenta triple line-up. Though it did take some getting used to watching congregated punters with pints shuffling politely in to high, wooden box-stall pews surrounded by the austere beauty of St Paul’s neo-classical columns and pediments. A bit like a piss-up watching the courtroom hysteria in Miller’s The Crucible, possibly. |
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It was just over 11 years ago that I first saw Vinnie perform in Brum in The Movielife at the Flapper and Firkin; so to say I was a little excited to see Vinnie play solo acoustic would be an understatement. With my objective reviewer head on it can be hard to lose yourself to the music and the moment but Vinnie didn't disappoint. |
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When I first heard of this line-up I thought it was a tad odd. Bands from two different eras and two different generations of fans - the mighty Echo and the Bunnymen - once princes of the indie alternative scene of the early and mid 80s. And then, James, the kings of 90’s indie dance anthems. Both had highs of success, under the radar and commercially. So this’ll be an interesting Spring gig at the O2 Academy. |
