Busdriver Bo! Word to your mother. Break it down etc etc. Yep, tonight Digbeth’s legendary boozer, The Rainbow, is well and truly bouncing along to a hippity hoppity beat kicking off with a rising local collective Abes Oddysee. Keeping it old skool there’s a pleasing hint of of J5’s laid back grooves in this four pieces set. Lyrically they’re focused on the key subjects of young inner city kids these days (1) What the fuck am I going to do with my life? and (2) Where can I score some weed? All four took the mic at various times and the different styles worked well together. Of course there’s a rich history of rap collectives going back to the early 80’s but few young crews (yes, crews...I’m down with the street) seem to be making it right now. Shame. No mention of the local rap scene in the recent NME feature on Birmingham either so kudos to tonight’s promoters Fantastic Damage for giving it more of a platform. “Make hip hop one of your 5 a day” one of ‘em shouted at the start of the set. If it’s this good I’d be inclined to agree with him.


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Ellen & The Escapades Headline band, Ellen and the Escapades, are a curious curate’s egg of engaging, damn hard working, effervescent musicians. Their wholesome embracement of ubiquitous bitter-sweet sleek mid-West alt.Country-Folk ballads and galloping up-beat nu Folk has garnered fulsome praise from some who ought to know better than to make exaggerated claims the band’s self-effacing modesty might dream of but never assume.


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Delilah It’s not often you can come away from a gig saying “WOW! That person’s voice was phenomenal”. When you do it’s something to treasure, a memory to hold. True, there are lots of good singers, some brilliant front men and some talented songstresses, but the term phenomenal needs to be reserved for the very special indeed. So, to witness not one, not two but three all on the same stage in front of little over 200 people on a grim Wednesday night in Birmingham was nothing short of miraculous and not likely to be emulated any time soon.


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The Jim Jones Revue If you are not familiar with them, The Jim Jones Revue are a no-frills garage band who have been around since 2008. They are a very hard-working live band and it is good to see them in Wolverhampton.


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Low What a night! I was lucky enough to see one of Low’s few current UK gigs in a small intimate venue like The Glee Club. The band are touring their latest album, C’mon. Low have been around since 1993 and have gained a high critical reputation over the years, being championed by the late John Peel, amongst others. However, they have now deservedly come to the attention of a wider audience, especially following use of many of their songs on TV and after Robert Plant (a big fan) recorded two of their songs on his Band of Joy album, in 2010.


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PEACE The search for a huge Birmingham band (not fat huge, although I’m sure there’s a few around) has been going on for a while now. For a city as big as Brum, with such a rich musical heritage, we should be churning ‘em out like widgets. There have been a few success stories, Misty’s Big Adventure, Editors, The Twang, Johnny Foreigner and Goodnight Lenin have all flown the flag in one way or another and perhaps it shouldn’t matter if our local bands ‘make it’ or not...but, rightly or wrongly, to me it does. Recently one band’s been getting some really decent press though, PEACE, who proudly claim to make “music to fuck you in the heart”. Ouch. That can’t be good for your ventricles. On tonight’s performance they’ve certainly got the ability, look (all floppy fringes and black outfits) and tunes to more than justify the hype too. Previous single BBLOOD slaps you in the face like a meatier Vampire Weekend whilst elsewhere they channel influences from everything from the Velvet Underground through to the shoegaze movement and on to grunge. Yes, grunge. In fact the monstrously good forthcoming single, Follow Baby, offers up a neat indie twist on the grunge template with the kind of catchy riff that just might grip a generation. Awesome.


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Noah and the Whale Noah and the Whale are only on their third album and have achieved a lot in the last three years. The first album included Laura Marling as a member and was fairly whimsical. However, they really took off with their heartbreak 2009 album, The First Days of Spring, which was inspired by lead singer Charlie Fink's breakup with Marling. Like many break-up albums it was a great record (Dylan's Blood on the Tracks being perhaps the greatest). But their real commercial breakthrough came with last year's Last Night on Earth album.


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Liz Green Something of a resident artist at The Glee Club now Dan Whitehouse has been playing here for many years, during which time he’s released no less than three EPs and an album of finely crafted, emotionally raw and... I’m guessing... deeply personal songs.


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Lianne La Havas Every now and again, you go to a gig and although the act has played well and ticked all the boxes, the night lacked that certain pazzazz. Sometimes however, something special, nay magical happens. A night to savour. Some might call it a 'wow night'. Monday at The Glee Club in Birmingham was one such evening. The omens were good from the start when the main act, Miss Lianne La Havas pottered past and said hello to me. Glorious! Support came from the uber talented Marques Toliver who offered an act seldom seen, belting out glorious vocal on top of looped violin, whilst playing lead violin over the top. Ingenious. In a time when people are trying find a unique twist this was certainly one.


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Producers I’m of a certain age. Not as dangerous as the one Paul Weller’s currently singing about but, you know, the wrong side of...ahem...21. Aside from, funnily enough, some of 10cc’s tracks, Mud’s Tiger Feet and anything by ABBA, my real musical awakening occurred in the early 80’s and one man seemed to be the knob twiddler behind several of my favourites, Mr Trevor Horn. ABC’s Lexicon Of Love (regularly featured in the best British albums of all time lists) and Frankie Goes To Hollywood’s Welcome To The Pleasuredome both bear his fingerprints deep within the grooves (it’s a vinyl thing). Tonight Trevor’s out from behind his desk though, joined by fellow producer Steve Lipson, 10cc’s Lol Creme and drummer to the stars Ash Soan for a joyful romp through some of their collective hits and newbies from their new band's forthcoming album.


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Goodnight Lenin + Beth Jeans Houghton and The Hooves Of Destiny It’s a Leap Year Wednesday on the eve of St. David and the Moon’s in diagonal conjunction with Mars and Venus complementing a sell-out Hare that welcomes back home-boys, Goodnight Lenin, regaling us with anecdotal on-tour debauchery after a Folk Club lock-in at Richmond, Yorkshire. They admit, with bashful circumspection that, ‘What goes on tour-stays on tour’ and anyway, some of their moms are in the crowd and they’d go f**kin mad if they heard what went on. Theirs is an honest embracement of traditional and contemporary electric Folk exploiting accomplished musicianship and crisp four-part harmonies that eschew the horrors of finger-in-the ear cliched nasal keening.


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Kathleen Edwards We love the Glee Club at Gig Junkies HQ – it seems the perfect venue for a Monday night gig. It’s more refined, the clientele seem little more gentry and very often you even get a seat to rest ones weary legs. Splendid! This relaxed setting is ideal for the soothing sounds of a couple of vocally excellent ladies, both of whom hail from Canadian shores – namely Hannah Georgas and Kathleen Edwards.


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Outfit So what’s the state of music like in 2012 then eh? Discuss. I guess to a certain extent it depends on your age. Try as you might it’s impossible to resist the lure of the stuff that appealed to you during those formative years (13-18) and as you grow older you’re actually legally obliged to start moaning about whatever’s in the charts. The truth is that there’s a lot of crap around right now... but then again there always was. It’s only years later with the benefit of distance that we’re able to conveniently filter out the rubbish and bask in the warm glow of the good stuff. I mention all this because tonight’s gig was a perfect example of that ‘good stuff’ featuring a trio of bands that might well be operating under the radar right now but who each prove that, for all the musical effluent out there, 2012 has plenty to offer.


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George Barnett And The Ninth Wave At 6ft 3 (with an unruly mop of curly brown hair adding an extra inch or two) and a ceiling that’s probably not much taller, bouncing up and down might not be the wisest thing to attempt. Somehow the hair’s owner manages to avoid serious brain damage though, even if members of the audience end the set risking their own craniums by quite literally dancing on the tables. Welcome to the world of George Barnett, a 17 year old multi instrumentalist, vocalist and producer recently described by Beardyman as “one talented muthafucka”...and he should know. Given his capacity for playing pretty much every instrument ever invented George (winner of Young Drummer of the Year way back in 2008) and his band take a similarly catholic approach to musical genres, deftly embracing everything from blues rock to piano ballads, ska, boogie woogie...sometimes in the same track. Of course all this could end up sounding like a dog’s dinner, that it doesn’t is down to George’s seemingly instinctive knack for just knowing what works.


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