Sleeper In a time when the country seems to be in a never-ending cycle of political chaos, it is nice to be reminded of a time when we were considered cool (and even a little rebellious). The Brit-Pop era of the 90s brought us Oasis, Blur, Pulp, Suede and, of course, Tony Blair. Amongst them, although never quite reaching the same giddy heights of stardom, were Sleeper. Reforming in the past couple of years, their reunion has resulted in a new album and sell-out gigs. It seems that they are living up to their name and are now finally getting the wider recognition that their music deserves.


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Sleaford Mods Sleaford Mods. Don’t let the band name mislead you. Sleaford Mods can’t be pigeon holed as a ‘mod band’ - because they're not. Their vocalist Jason Williamson has described their sound in the past as "electronic munt minimalist punk-hop rants for the working class.” They are certainly political, and certainly of the people. Yet in an interview with Channel 4 (2015) Williamson has alternatively said that he doesn’t want the music to be described as working class - as when you're talking about alienation or unemployment there really shouldn’t be that assumption, or stereotype.


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The World Of Hans Zimmer Film scores. We can be forgiven for forgetting to check the credits for the composer at the end of a brilliant film. The very best are so seamlessly put together with film, that they are an integral part of the process. Ever since the very beginning of movie making, with the advent of silent films, film scores have played a very important role in eliciting profound emotions in movie goers.


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Villagers I’d been missing the Villagers for years - always being in the wrong place at the wrong time - another town, or another part of another festival. We made it tonight though, to the modest and cosy interior of Nottingham’s Rescue Rooms.


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Shame I have a lot of feelings about this gig, so this review might get intense. If so, it will only be an accurate reflection of the show itself. As always, I’ll try to make you feel as though you were there, but I don’t know whether I’ll be able to do justice to the savagery and thrill of the evening. Bear with me and I’ll try my best!


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IDLES Luckily it wasn't a portent of doom that the evening commenced with the slogan 'Anger is an Energy' right before my peepers. Some hours later, Idles had done a striking job of recreating this refrain in aural form, and then some.


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Jorja Smith It was a bitterly cold winter's night in Coventry, for the presentation of two of the brightest and authentic emerging acts in UK music. Jorja Smith being supported by Mahalia at the Coventry Central Library, a very intimate yet beguiling venue, at some points throughout the night you were certain people wanted to let loose but then quickly realised they were in a library.


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The Horrors The Horrors return with their monstrous new album ‘V’, exhibiting class & creativity on their latest UK tour. The boys from Southend-on-Sea delighted Birmingham with a real swagger about them. An indulgent performance that stimulated the senses & entertained throughout.


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Michael Kiwanuka I made a conscious decision recently to never listen to music through a pair of headphones ever again, reason being, having spent my formative years consuming live music in some of the best musical venues in the country, coupled with very acute hearing and constantly, breaking, losing or having my headphones stolen by thin air, it is a brave decision, but it was one I was ready to live with, tonight was the point of no return, It was a brisk night on the 16th of October 2017, I had the pleasure of close friend to accompany me to see Michael Kiwanuka at The Symphony Hall Birmingham being supported by Bedouine, a very charming, charismatic an very funny soulful and folky songstress.


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Beverley Knight As if she really needs a reason to be back on stage in the West Midlands, Beverley Knight was in town last night, bringing her 'I Love Soulsville' tour to Birmingham's Symphony Hall.


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Radiohead This is one of the most difficult reviews I can recall being asked to do. People fall into two camps, they either love and adore Radiohead, in which case very few words are needed to tell them how great they were last night (they were likely already there), or the other side are those who don’t “get” the band, they fail to see how visionary they are, pushing boundaries, making you think, not giving you what you expect, and for these people, I have no chance at all to convince them of the greatness of Radiohead in the few words I have.


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Rick Astley Back in the mid-eighties, the charts were filled with songs from the so called Hit Factory, masterminded by Stock, Aitken and Waterman. They sounded much the same but were very successful and from it spawned two notable stars. The first was a soap actress, who went on to become a global star, and the other, a young white man with the most incredible soul voice, had a similar destiny laid out before him. However, that young man had other ideas, and at his height of fame walked away. That young man was Rick Astley


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John Grant Here at GigJunkies we're lucky-so-and-so's as we go to some fantastic events and festivals. John Grant is just one of those events. Since our review of the intimate Royal Shakespeare Company gig back in 22 June 2014, John has released his glorious "Grey Tickles, Black Pressure" album back in October 2015. Interestingly he touched upon the reason for the title explaining that "Grey Tickles" is a translation from Icelandic to describe entering middle-age, which is a lovely way to see it, far more cheeky and certainly in John's style. "Black Pressure" was also mentioned as being Turkish for "nightmare", which was quite the opposite from tonight, as it was a dream.


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Duran Duran I was very excited to hear Seal would be supporting Duran Duran on tonight's bill at the new plush Genting arena. When he enters on stage a lady in front of me shouts out "I've only come to see you!" which has the crowd laughing, and I must admit, I would have paid good money to just see Seal himself too. Highlights for me are Crazy, and Adamski's Killer, which is just one of those era defining songs from the 90's Acid House scene. There is something so electric about Seal's voice - which is soulful, and yet something more, sitting so well with an electronic track - much in the same way that Rhianna's voice can.


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