Young Fathers From winning both the Mercury Prize and the Scottish Album of the Year Awards in 2014 (for Dead and Tape Two respectively) through to earning the kind of gushing praise that’s normally reserved for visiting deities Edinburgh’s Young Fathers seemingly came from nowhere. They’ve actually been a going concern since hooking up at an under 16s hip hop night in 2008 though, fusing three distinctly different backgrounds (Liberia via Ghana, Maryland and Drylaw, apparently a suburb on the outskirts of Edinburgh...who says the internet ain’t educational eh?) to create something that’s undeniably different. And at this stage in musical evolution development that’s a pretty rare thing indeed.


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Saint Saviour With some deservedly impressive reviews rolling in for her latest album, In The Seams, there’s a better turn out for tonight’s gig at the Hairy Hounds than there was back in 2012 when Saint Saviour last played here. At that time she was seriously considering packing touring in altogether as, in common with a sadly growing number of artists, she was pretty much doing everything herself which is undoubtedly (a) pretty ruddy time consuming and (b) soul destroying if the turnout’s a little, ahem, slim.


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Just Talk After fighting our way through the infighting Tories currently polluting the good streets of Brum and dozens of Horrors fans (they were also playing The Institute tonight...The Horrors that is, not the Tories...) the relative peace and tranquillity of The Temple (think of it as The Institute’s loft conversion) came as a blessed relief. Of course you can have too much peace and quiet though.


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The Waterboys Would Morrissey pop along for a quick guest appearance during Johnny Marr’s set (ahem...)? Would Richard Thompson ride onto the stage on a Vincent Black Lightening 1952? And would The Waterboys show us the whole of their moon...yes...it’s Moseley Folk Festival time again!


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THEBAND Cool music, lovely people, real ale, steam trains, sun...sun...even more sun...wouldn’t the country be a better place if it was run by the good folk behind Indietracks and the bands who played? Yes, yes it would. MJ Hibbert would be Secretary of State for Education, Hidden Cameras would be in charge of the armed forces and Gruff Rhys would be Prime Minister, although given his wonderfully laid back drawl and thoughtful pondering Prime Minister’s Question Time may well last a week.


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Scott Bradlee and Postmodern Jukebox Okay, so imagine if Lady Gaga had hung around the Noo Yoik jazz clubs of the 30s and 40s or if Robin Thicke had been ‘blurring lines’ in Appalachia back in the 50s? That, in essence, is the brilliant but simple premise behind Postmodern Jukebox, take ‘modern’ pop songs and re-imagine them adding a little (or in most cases a lot) more musical magic all with a distinctively vintage twist. To quote the chap behind it, US jazz musician Scott Bradlee, it’s all about the creation of “an alternate pop universe” (and let’s face it some of today’s pop songs...and their singers...could certainly do with being transported to an alternate universe at times). It’s been pretty ruddy successful too, with one of the group’s best efforts, a heartbreakingly poignant cover of Lorde’s Royals sung by a 7ft tall clown (yep, seriously), picking up almost 8million hits on You Tube to date...and all without the aid of breakdancing kittens, grannies battering would be muggers or drunk frat boys falling off roofs. Impressive eh? Now, after a sell out US tour, the Jukebox has popped over the Atlantic for a mere handful of dates, one of which is in Brum’s suitably vintage Institute.


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CHVRCHES I’m sure there’s a great reason why Chvrches spell their name that way, even if it does send the old spellchecker into a full on meltdown. Hold on...I’ll look it up. Right, apparently it’s because if you put Churches into Google (other search engines are available...unless Google want to pay me £500,000 in which case GOOGLE ROCKS) all you get are loads of websites to do with ding dong bells, Jesus, God and all that schnizzle kind of churches. As you’d reasonably expect I guess. Quite why they didn’t just choose a different name isn’t explained but we’ll let that lie...


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Dan Le Sac vs. Scroobius Pip It’s been nearly seven years since Le Sac and Pip’s first hit, Thou Shalt Always Kill, a deliberately provocative swipe at the mindless hero worship of many a sacred musical cow (everyone from The Beatles through to Lostprophets... hmmm they may have had a point there in retrospect). Okay, perhaps it had a vague whiff of the novelty one hit wonder about it but the pair have since gone on to produce some of the freshest most thought provoking hip hop around, hence the pretty much capacity crowd tonight.


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Summer Camp Having recently moved into the Hare and Hounds permanently (got myself a sweet little spot just beneath the bar in the back room...no more nightmare journeys on the bus of the damned - aka the Number 11 - for me) tonight’s gig was just a mere stumble away.


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Untitled Music Project It’s been quite a week for noisy cult Birmingham based bands to reform for a ‘one off’ gig. Last Saturday witnessed the second coming of Distophia during the rather excellent All Years Leaving festival and tonight was the turn of much loved shouty, screamy, punky trio Untitled Musical Project to deafen the nation’s young...and not so young... once more.


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Moseley Folk Festival 2013 Oh lordy, the OAPs are right you know. The older you get the faster the years fly by. It seems like only yesterday that we were singing along lustily to All Around My Hat (the degree of lustiness being in direct proportion to the quantity of cider consumed) and yet here we are again at another MoFo. I’m not complaining, it’s the bit between festivals that gets my goat... real life I think it’s called. Jolly silly idea.


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David Byrne and Saint Vincent When it comes to surprising collaborations new wave polymath David Byrne has previous form. Just take his hook up with Fatboy Slim on the Imelda Marcos musical Here Lies Love. Seriously...it happened. Google it. So joining forces with ex Polyphonic Spree disciple turned quirky solo artist in her own right St Vincent shouldn’t really have come as much of a shock. Listen carefully and you might even pick up some shared lyrical and vocal traits too, it really doesn’t take much imagination to hear Byrne coming up with St Vincent’s 2009 track Laughing With a Mouth Of Blood for instance.


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Mostly Jazz Funk and Soul 2013 And the award for the most appropriate closing number of a festival goes to...drum roll please...Nile Rodgers and Chic for Good Times at Mostly Jazz Funk and Soul Festival 2013...cue loud applause. Yes, once again this small but perfectly formed musical gem in the festival calendar delivered more ‘good times’ than any sane person could rightfully expect. And here’s how it all went down.


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THEBAND These are heady... Bulls Heady in fact... ahem... times for the Birmingham music scene. In fact in 25 years or so of gig going in the second city I can’t recall a time when there was as much good shit going on than right here, right now. We’ve got the bands, the venues and, as tonight underlines, the publications (online and ‘real’) in the shape of Brum Notes (an honourable mention must go the marvellous Counteract Magazine too who’ve also pimped this show).


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