Young Fathers From winning both the Mercury Prize and the Scottish Album of the Year Awards in 2014 (for Dead and Tape Two respectively) through to earning the kind of gushing praise that’s normally reserved for visiting deities Edinburgh’s Young Fathers seemingly came from nowhere. They’ve actually been a going concern since hooking up at an under 16s hip hop night in 2008 though, fusing three distinctly different backgrounds (Liberia via Ghana, Maryland and Drylaw, apparently a suburb on the outskirts of Edinburgh...who says the internet ain’t educational eh?) to create something that’s undeniably different. And at this stage in musical evolution development that’s a pretty rare thing indeed.


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John Grant Having last toured the UK in 2013 in support of the distinctly electro flavoured Pale Green Ghosts album Grant’s back this time with a modest, ahem, 34 piece orchestra in tow. It makes sense though given the lushness of that voice and the soaring songs (many of which focus on Grant’s struggles to come to terms with himself, his life and his loves) that practically cry out for the gravitas that only a full fat orchestra can really deliver. The venue’s pretty perfect too, Brum’s grand old Town Hall, a Victorian Grade I listed building that’s seen everyone from Charles Dickens to Black Sabbath do their thang (although sadly not on the same night).


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Kate Tempest Poet, rapper, playwright, novelist, Mercury nominee, winner of the prestigious Ted Hughes Award, inventor of a cure for the common cold (okay, so the last one was made up but frankly you wouldn’t put it past her)...for many Kate Tempest has seemingly sprung from nowhere over the past year or so. The reality’s radically different but no less impressive...


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Norman Watt-Roy Ian Dury and The Blockheads, The Clash, Madness, Nick Lowe, Rodger Daltrey, Nick Cave, Frankie Goes To Hollywood...as CVs go that’s not a bad line up eh? In a career that’s lasted 47 years and counting Norman Watt-Roy’s been the face with the bass and, despite being just a couple of years away from collecting his pension, he’s showing no signs of slowing down, in fact this is his second gig at the Hare and Hounds in less than 12 months.‘Watt’ a trooper.


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Just Talk After fighting our way through the infighting Tories currently polluting the good streets of Brum and dozens of Horrors fans (they were also playing The Institute tonight...The Horrors that is, not the Tories...) the relative peace and tranquillity of The Temple (think of it as The Institute’s loft conversion) came as a blessed relief. Of course you can have too much peace and quiet though.


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The Waterboys Would Morrissey pop along for a quick guest appearance during Johnny Marr’s set (ahem...)? Would Richard Thompson ride onto the stage on a Vincent Black Lightening 1952? And would The Waterboys show us the whole of their moon...yes...it’s Moseley Folk Festival time again!


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Larkin Poe Okay, quick quiz for you...how many famous ‘Poes’ can you name? Go on...if you’re lucky you might just come up with the one, the granddaddy of horror himself Mr Edgar Allen Poe. Even so I was more than mildly surprised to discover that tonight’s band, Larkin Poe (sisters Rebecca and Megan) are actually related (albeit distantly) to the dude behind The Raven, The Tell Tale Heart and The Fall of the House of Usher (serves him right for releasing rubbish records...). Cool eh? Formerly trading as The Lovell Sisters (that’s the sister’s surname, Larkin Poe was their great, great, great grandfather and cousin of Edgar), Larkin Poe have been around since 2010 and tonight they’re fresh from Glastonbury...well as fresh as you can be after spending several days ankle deep in mud and...er...other ‘stuff’...I guess.


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White Denim White Denim may not be ‘sassy’ and I’m not convinced they bring a ‘cool trash aesthetic’ either but one thing they do do (not dodo, that’s just a big extinct bird...) is...pause for dramatic effect...ROCK. Hell yeah! Ahem. In fact within just a couple of seconds of opening track Pretty Green they’d managed to blow a transformer. Now that’s ROCK.


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Courtney Barnett I was pretty much sold on Courtney Barnett from the moment I discovered that one of her songs was called Avant Gardener. Clever. I do love a good pun. Happily the track’s as impressive as the title which, despite a still relatively low profile over here in the UK (Courtney’s from Melbourne), probably explains why this gig at the Hare and Hounds sold out a while back.


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The Correspondents Having formed in 2007 it’s taken a whole 7 years for The Correspondents (DJ Chucks and singer/dancer Mr Bruce) to get around to releasing their debut album. But then again Mr Bruce (aka Ian Bruce) also has a career as an artist to keep him busy so we can kind of forgive them. Besides that given the energy that he expends during tonight’s gig I reckon he probably needs to lie down for a month or six every time they play live...


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Table Scraps A moshing butler, a raffle prize that included a Bubba Ho-Tep action figure, a Fray Bentos Pie, drumsticks and...er...’lube’ (answers on a postcard please...) and five bands for £5 with all proceeds go to kicking cancer’s butt (does cancer have a butt...I guess it does...), what’s not to love eh? First off high fives to Thomas Wagstaff (Female Smell) and Nat Jones for organising it all. Happily Wags beat the disease a few years ago and tonight was his way of paying back the Teenage Cancer Trust who clearly gave him oodles of support during his treatment and recovery.


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ABC Ahhhhh the 80s...was there ever a better era in pop? Nope, I don’t think there was. Take 1982 for instance, the year that ABC’s The Lexicon Of Love was originally issued. Number one singles included (deep breath) Don’t You Want Me (The Human League), The Model (Kraftwerk), Town Called Malice (The Jam), House of Fun (Madness), Come On Eileen (Dexys Midnight Runners), Eye Of The Tiger (Survivor), Pass The Dutchie (Musical Youth) and Do You Really Want To Hurt Me (Culture Club). Seriously...now that’s what I call (pop) music. Incidentally (and somewhat incredibly) ABC’s The Look Of Love was only the 32nd highest selling single that year, sandwiched between OMD’s Maid of Orleans and...er...Chas and Dave’s Ain’t No Pleasing You.


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Temples Whoooooooah...hey man, what’s happening? Going to see Temples at The Institute? Cosmic...faaaaar out dude. Okay, enough of the trippy 60s lingo (for now at least, I’m still having flashbacks from this show so frankly anything could happen in the next few paragraphs) but tonight was another of those time travelling gigs that made you question which decade you were living in.


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Miss Halliwell The City Tavern. Just a short stumble away from the festering mass of humanity that spills, totters and...I hope you’ve already eaten...oozes all over Broad Street on a Friday night whilst seemingly remaining a hundred miles away. In that respect it’s pretty much the perfect venue for Miss Halliwell, a band that similarly skirts close to popular appeal with some deceptively catchy tunes and lyrics (check out Free Chips for instance... it’s got sing-along hit written all over it) whilst somehow remaining safely outside the ‘mainstream’.


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