Mostly Jazz, Funk and Soul Festival in Birmingham, 10 + 11 + 12 July 2015 Want to know how great this year’s Mostly Jazz, Funk & Soul Festival was? Try this for size... Public Enemy rolled up on Friday to headline that night and loved it so much they came back on Saturday to watch Roy Ayers before heading over to the Moseley Dance Centre for the after show. Rumours that they’re recording DO Believe The Hype as the festival’s new official anthem are still unconfirmed but if you see Flavor Flav queuing up in the Kingfisher Fish and Chip Bar anytime soon don’t be surprised.


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Kate Tempest Poet, rapper, playwright, novelist, Mercury nominee, winner of the prestigious Ted Hughes Award, inventor of a cure for the common cold (okay, so the last one was made up but frankly you wouldn’t put it past her)...for many Kate Tempest has seemingly sprung from nowhere over the past year or so. The reality’s radically different but no less impressive...


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The Waterboys Would Morrissey pop along for a quick guest appearance during Johnny Marr’s set (ahem...)? Would Richard Thompson ride onto the stage on a Vincent Black Lightening 1952? And would The Waterboys show us the whole of their moon...yes...it’s Moseley Folk Festival time again!


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THEBAND Cool music, lovely people, real ale, steam trains, sun...sun...even more sun...wouldn’t the country be a better place if it was run by the good folk behind Indietracks and the bands who played? Yes, yes it would. MJ Hibbert would be Secretary of State for Education, Hidden Cameras would be in charge of the armed forces and Gruff Rhys would be Prime Minister, although given his wonderfully laid back drawl and thoughtful pondering Prime Minister’s Question Time may well last a week.


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John Grant Gemma Ray strikes me as the sort of girl you might see in a Tarantino movie, with her retro beehiveesque hair, and knife wielding guitar strumming, she’s that heady mix of ‘sweet sixteen’ & edgy B girl femininity. Ray has already a large number of album’s under her belt, and brings a selection here tonight along with her bequiffed and enthusiastic drummer, and shoe gazing bass player. It’s hard to define Ray’s music so many are it’s influences, from bottle slide blues to spaghetti western soundtracks, I’m quite surprised to learn she’s not American (but from the south of England). Central to her sound is the use of a customised Hagström guitar, which she wields with ease, later in the set drawing her large blade like a gun and pulling it across the strings to dramatic effect, eventually discarding the knife like a scene from a fairground sideshow. Ray is the perfect lead in to John Grant, the headline act tonight.


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Courtney Barnett I was pretty much sold on Courtney Barnett from the moment I discovered that one of her songs was called Avant Gardener. Clever. I do love a good pun. Happily the track’s as impressive as the title which, despite a still relatively low profile over here in the UK (Courtney’s from Melbourne), probably explains why this gig at the Hare and Hounds sold out a while back.


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Summer Camp Having recently moved into the Hare and Hounds permanently (got myself a sweet little spot just beneath the bar in the back room...no more nightmare journeys on the bus of the damned - aka the Number 11 - for me) tonight’s gig was just a mere stumble away.


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Fleetwood Mac Here at GigJunkies we're lucky-so-and-so's as we get to go to some fantastic events and festivals. Fleetwood Mac is just one of those events. It's not often that you get the chance the see and hear a true rock and pop legend, but these guys have been packing out stadiums and arenas for decades now and are just that; true legends of our time.


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Moseley Folk Festival 2013 Oh lordy, the OAPs are right you know. The older you get the faster the years fly by. It seems like only yesterday that we were singing along lustily to All Around My Hat (the degree of lustiness being in direct proportion to the quantity of cider consumed) and yet here we are again at another MoFo. I’m not complaining, it’s the bit between festivals that gets my goat... real life I think it’s called. Jolly silly idea.


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Mostly Jazz Funk and Soul 2013 And the award for the most appropriate closing number of a festival goes to...drum roll please...Nile Rodgers and Chic for Good Times at Mostly Jazz Funk and Soul Festival 2013...cue loud applause. Yes, once again this small but perfectly formed musical gem in the festival calendar delivered more ‘good times’ than any sane person could rightfully expect. And here’s how it all went down.


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Gucci Pimp Appropriately enough the fifth Bearwood Shuffle saw five great acts take to the Lightwoods’ Park bandstand on a freakily bright and sunny Sunday... you’d almost think it was summertime eh? Moselele kicked things off, an ever growing collective of ukulele players they put their own unique spin on everything from The Killers’ Mr Brightside to The Violent Femmes’ Blister in the Sun. Great fun.


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Gucci Pimp Appropriately enough the fifth Bearwood Shuffle saw five great acts take to the Lightwoods’ Park bandstand on a freakily bright and sunny Sunday... you’d almost think it was summertime eh? Moselele kicked things off, an ever growing collective of ukulele players they put their own unique spin on everything from The Killers’ Mr Brightside to The Violent Femmes’ Blister in the Sun. Great fun.


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Dumb It seems slightly perverse that George Barnett’s tonight’s opening act, especially given the fact that his cover of Daft Punk’s new single Get Lucky has (at the time of writing) racked up an incredible TWO AND A HALF MILLION hits on You Tube. Still, it doesn’t seem to trouble him and once again he delivers a set full of hits in waiting that blow most of the current chart guff off the face of the earth. From the cowbell extended clap along version of Lone Rose through to the light pop funk of Cassi and on to the Queen’s We Will Rock You meets hip hop of Light A Fire Barnett bounces around the stage in the same relentless (and seemingly effortless) way in which the music seems to pour out of him. Speaking of which he dropped a couple of new songs into the set this evening, Falling and Crowd, the latter you can easily see becoming an arena staple one day.


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Patrick Duff Free gigs, open to all comers, are always tricky blighters. Inevitably if it’s being held in a bar you’re going to end up with some people who are just there for a drink, in fact they probably haven’t got the faintest idea who’s playing, perhaps they’re even unaware that there’s a gig going on. This was, in part, the story of tonight’s gig. A remarkable night from an equally remarkable artist.


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