Saint Saviour With some deservedly impressive reviews rolling in for her latest album, In The Seams, there’s a better turn out for tonight’s gig at the Hairy Hounds than there was back in 2012 when Saint Saviour last played here. At that time she was seriously considering packing touring in altogether as, in common with a sadly growing number of artists, she was pretty much doing everything herself which is undoubtedly (a) pretty ruddy time consuming and (b) soul destroying if the turnout’s a little, ahem, slim.


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David Byrne and Saint Vincent When it comes to surprising collaborations new wave polymath David Byrne has previous form. Just take his hook up with Fatboy Slim on the Imelda Marcos musical Here Lies Love. Seriously...it happened. Google it. So joining forces with ex Polyphonic Spree disciple turned quirky solo artist in her own right St Vincent shouldn’t really have come as much of a shock. Listen carefully and you might even pick up some shared lyrical and vocal traits too, it really doesn’t take much imagination to hear Byrne coming up with St Vincent’s 2009 track Laughing With a Mouth Of Blood for instance.


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Saint Saviour Who’d have thought it eh? B-Town’s now seemingly home to the rebirth of old skool house! At least it will be if Greg Bird and Flamingo Flame have their wicked way. Sporting a sparkly eye mask, leather gloves and chain of fairy lights Bird knocks out the kind of tracks that crate digging DJs would willingly sacrifice their Numark turntables for. Singing live with a dude on an array of laptops and electronic gizmos and a guitarist adding additional colour to some of the quieter tracks (shades of Durutti Column in there perhaps) it was a masterclass in bringing this kind of music to life, one of the most glorious, soul lifting, hand in the air like ya just don’t care sets you’re likely to see. Both Animals and Skool (pick of their latest must have EP, Black Tableaux) were stunningly good, temporarily transforming the Hare & Hounds into some kind of fabulously sweaty gay disco in 1980’s Chicago. That’s a rather marvellous thing by the way. Simply one of the most exciting new bands in Birmingham.


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Saint Saviour Who’d have thought it eh? B-Town’s now seemingly home to the rebirth of old skool house! At least it will be if Greg Bird and Flamingo Flame have their wicked way. Sporting a sparkly eye mask, leather gloves and chain of fairy lights Bird knocks out the kind of tracks that crate digging DJs would willingly sacrifice their Numark turntables for. Singing live with a dude on an array of laptops and electronic gizmos and a guitarist adding additional colour to some of the quieter tracks (shades of Durutti Column in there perhaps) it was a masterclass in bringing this kind of music to life, one of the most glorious, soul lifting, hand in the air like ya just don’t care sets you’re likely to see. Both Animals and Skool (pick of their latest must have EP, Black Tableaux) were stunningly good, temporarily transforming the Hare & Hounds into some kind of fabulously sweaty gay disco in 1980’s Chicago. That’s a rather marvellous thing by the way. Simply one of the most exciting new bands in Birmingham.


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The Irrepressibles There seems to be a bit of a vogue for gigs in Birmingham churches at the moment. St Paul’s has had a few this year and now St Martin’s is getting in on the act too. It’s a cracking idea. They’re generally gorgeous buildings, perhaps somewhat underused in these more secular times and the acoustics can be...er...heavenly. Tonight we’re here to worship at the altar of St Jamie McDermott, the frankly inspirational life force behind The Irrepressibles, a chamber pop band that’s currently wowing our European neighbours but still seem to be criminally underrated here in their homeland. C’est la vie. Given that this is their first UK tour though (and this is a band that you really need to see live) perhaps all that is about to change.


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