Bury Tomorrow Bury Tomorrow formed back in 2006 and have released four studio albums; touring across UK/Europe with bands such as Architects, Parkway Drive and Beartooth. Extensive touring of the UK, strong live performances and Dani's close relationship with the fans has given them a loyal fanbase.


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Laura Marling I’m used to seeing Marling seated. I say ‘used to’ as I first saw her tour with her debut album ‘Alas I Cannot Swim’ in 2008, when you were able to purchase a limited edition kit with album AND gig ticket (and prints, and more!) in one. I’ve seen her at least once on every tour since then, as a committed (and some may say obsessive) fan ever since.


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Glass Animals A dense colony inhabited Birmingham’s O2 Institute on Friday night, long-anticipating the indie-tronic hums of Oxford’s alt-rock band, Glass Animals. Headlining their very first Birmingham gig, their colossal fan base (unbeknown to me) penetrated my ear-drums upon the lad’s entrance to the stage.


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Lissie After a foot-tappingly elongated wait at the bar for a pint of cider, U.S born Lissie entered the stage with guitarist Nick Tesoriero and forecast an alleviating cloud across the audience, kindling their gig spirits with track ‘Hero’ introducing her set.


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The Front Bottoms The Front Bottoms have barely left the UK over the last couple of years, which shows how they've gone from playing the Temple to the Main room here tonight. The stage is dressed to feel like a cozy living room, filled win standard lamps and a sofa complete with jaded girl glued to phone. ‘Scream’ plays on an old TV and only the double mirror ball fun denotes the occasion.


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Feeder Carving our way through the largely male orientated numbers, we entered the poky venue of Birmingham’s Institute. Scouring the crowd’s features I supposed their fans originated from Feeder's 90’s days, a fairly youthful yet adult crowd awaiting their entrance - the ‘growing up with’ era.


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The Birthday Massacre Digbeth bound, heading towards the O2 Institute, on a cool autumn evening, and the queue is stretching down Digbeth as far as the old Irish Centre. Its a busy night at the Institute, as Feeder are playing in one room, and Canadian Goth Rock band, The Birthday Massacre back in the UK for a short tour are in another. Both shows are sold out, so the Institute is packed out, not bad for a midweek night..


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Rat Boy So the story goes a little like this. As eager fans braved a wet, blustery night in what seemed to look like a never-ending queue at Birmingham Institute to see one of 2016`s hottest rising stars, the lone Gig Junkies contributor heard a voice after dodging traffic crossing the road enquiring where she was going, who was on and would it be a good night? A bit of “chit chat” as she enquired, to the out-of-town group of handsome young men “if they were going there too?” A cheeky grin flashed as “Rat Boy” coolly replied he was performing and then it dawned, talk about an #Epicfail but explaining who,why, where and when we parted with this Chelmsford charmer reminding to “write him a good review..."


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Good Charlotte Acting as a pit stop between their headline slot on the Lock Up Stage at Reading & Leeds Festival, Good Charlotte graced the good people of Birmingham with their angst riddled, pop punk tunes on a rather fittingly rainy, emo Saturday.


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John Grant Here at GigJunkies we're lucky-so-and-so's as we go to some fantastic events and festivals. John Grant is just one of those events. Since our review of the intimate Royal Shakespeare Company gig back in 22 June 2014, John has released his glorious "Grey Tickles, Black Pressure" album back in October 2015. Interestingly he touched upon the reason for the title explaining that "Grey Tickles" is a translation from Icelandic to describe entering middle-age, which is a lovely way to see it, far more cheeky and certainly in John's style. "Black Pressure" was also mentioned as being Turkish for "nightmare", which was quite the opposite from tonight, as it was a dream.


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We Are Scientists Dynamic, New York based rock indie duo, We Are Scientists, enveloped Birmingham’s O2 Institute in an enigmatic sound unlike that of their former albums. New album release, Helter Seltzer, explores a fusion of electronic, punk and hard instrumental rock that has propelled them into a distinguished artist worthy of a venue much larger than the Institute's 2nd room.


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The Cult “Don't put your hands up to me man… I can see you, putting up your fists, it's violent, we need a cool vibe here… none of that Peaky Blinders s**t” lead Singer Ian Astbury boomed over the microphone to an overzealous member of the crowd. “We're all adults, we need to show love, if it kicks off by you we need to intervene and look after each other”. The sweaty crowd had started to get leery in the crowded conditions within the Birmingham O2 Institute and cheered after The Cult leader reached out to his disciples to make it a peaceful night.


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Fun Lovin' Criminals Minus the element for the less than legal shenanigans, there aren’t many more fitting and descriptive band names than that of the Fun Lovin' Criminals. It’s been nigh on 20 years since I first witnessed Huey and the boys in all of their resplendent glory and now they were back in Brummyland, to treat the congregation to a complete play through of their inaugural album ‘Come Find Yourself’; a record that spent over 12 months in the charts and one that sold over 10 million copies. Boom!


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Joe Jackson Tonight is an all too rare opportunity to see Joe Jackson, singer, songwriter, pianist and writer, on his “Fast Forward” UK Tour. Jackson arrived in the New Wave/Post punk scene in 1979 with his “Look Sharp” album containing the witty and acerbic “Is She Really Going Out With Him?” Born in Burton, Jackson grew up in Portsmouth, and is now Berlin based via London and New York. The show is a sellout, and the older crowd (with a few youngsters dotted around) eagerly await the start of the show. To get the crowd in the mood, we are treated to some old time jazz to warm us up ready for the show. I’m hoping for some “Jumping Jive” at some point this evening.


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