Jesca Hoop I came late to the Hoop train, as mentioned in my earlier review of her tour with Sam Beam (of Iron and Wine fame). It’s no secret that I obsess over female singer songwriters - specifically those whose songs elicit feelings of sorrow and loss. Hoop’s earlier work varies in sound to my ears - unbeknownst to me, I’d heard ‘Born To’ many many times on BBC 6Music, without registering who she was, with it washing over me. But that song is heavily produced, with full band. And my preference is Hoop on her own with a guitar, stripped back and intimate.


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Jesca Hoop and Sam Beam FORTUNATELY I was not disappointed by Beam & Hoop. I’d heard one track of theirs shared by a friend who loved both their solo careers, and I instantly bought the album. I’ve since listened to it incessantly, and LOVE their harmonies, but was largely unfamiliar with them as individuals or as solo artists. Part of me worried there would be an aloof hipster-esque snobbery to them and their performance – standoffish. Nothing could be further from the truth!


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