King Gizzard & the Lizard Wizard Thunderous drums fill a HUGE room in North London to a sold out crowd. The sound is extra fat and dirty coming from not one, but two powerhouse drummers. Low, ball destroying guitars erupt to tease spectators. A little break. And a whirlwind of chaos sends everyone into one of the biggest mosh pit I’ve ever seen at London’s Alexandra Palace. There is no mercy. There are no points for second place. You either give it your all, or leave. THAT, my friends, is the effect of Australia’s finest band at the moment. I am, of course, talking about King Gizzard & the Lizard Wizard.


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King Gizzard and the Lizard Wizard Earlier this year Stu Mackenzie of King Gizzard and the Lizard Wizard announced that the band would be releasing as many as five new albums this year. At the time this may have seemed a rash hostage-to-fortune statement, but it’s now August and their third album of 2017 has just appeared. So they may still be on-target for five. How can they make all these albums in a year? Well, beside the fact that KGATLW are very industrious in terms of work ethic, the answer may be that, as they obviously don’t want to get typecast in terms of genre and style, they work through all sorts of experimental ideas and collaborations and quickly move on. In the future any attempt to do a KGATLW ‘best of’ selection is going to be a very tricky job, given the sheer breath of styles the band have taken in.


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King Gizzard & The Lizard Wizard Scala was sweaty even before King Gizzard & The Lizard Wizard came onstage. In typical London fashion, everybody was complaining about the tube strike and the fact it is far too hot in the capital. Thankfully, the sold-out room shut up as soon as King Gizzard jumped onstage, a snug fit for the seven-piece.


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