Beverley Knight As if she really needs a reason to be back on stage in the West Midlands, Beverley Knight was in town last night, bringing her 'I Love Soulsville' tour to Birmingham's Symphony Hall.


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Roy Wood and friends There's nothing like a bit of old skool glam rock to get you in the mood for Christmas... Roy Wood is aiming to make this event at Birmingham's Symphony Hall an annual event, like a brummy variety performance, I'm loving a bit of retro talent to kick off the festivities.


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Burt Bacharach Excitement abounds, and for a Monday night the crowd of gowns and jewels that alight the stairs to the main symphony hall it's clear this is an occasion that's been much awaited. It is in fact the first time that Burt Bacharach has played Birmingham.


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Alison Moyet I mentioned to someone the other day I was reviewing a singer who started off in a band called Yazoo. They thought I meant Yazz (as in ‘The Only Way Is Up’) #fail. So to explain to this person, read on because tonight, in the delectable Symphony Hall, we here to be entertained by the iconic and beautiful bluesy dulcet tones of Alison Moyet.


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David Byrne and Saint Vincent When it comes to surprising collaborations new wave polymath David Byrne has previous form. Just take his hook up with Fatboy Slim on the Imelda Marcos musical Here Lies Love. Seriously...it happened. Google it. So joining forces with ex Polyphonic Spree disciple turned quirky solo artist in her own right St Vincent shouldn’t really have come as much of a shock. Listen carefully and you might even pick up some shared lyrical and vocal traits too, it really doesn’t take much imagination to hear Byrne coming up with St Vincent’s 2009 track Laughing With a Mouth Of Blood for instance.


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Scott Matthews Tonight at the Town Hall in Birmingham, I again witness the poised brilliance of Scott Matthews. Up there on stage with just a simple black back drop, and, to set the scene, smoke lingering in the air around him - like an ethereal spirit rising from a funeral pyre. Matthews gives us a short but sweet first half performance just on his own with an ever-changing array of acoustic guitars all vying for his attention. They are brought from the wings one by one as if waiting to be consumed by Matthews' touch - like groupies awed in silence. He lulls the audience into a trance with songs from his three studio recorded albums, and unexpectedly at the end of a short first set he plays what could be considered his masterpiece "Elusive" (released 2006 on his debut first album "Passing Stranger"). I think I must have been expecting a special announcement or something, as he drops this one on us without warning -and that's a bit of a shock (be it an understated version too). In my mind, and from what I know about the man, Matthews is attempting to move beyond the dizzying heights of his Ivor Novello award winning song. My notion is that he's conflicted here - as he cannot deny the audience his greatest song to date, and yet is attempting to surpass his own genius, which lingers in the air as if caught in amber for eternity.


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Morten Harket As dozens of grasping hands strain forward to claw at Morten Harket one or two manage to get a grip and from there on in it was all over. More hands join them and the former A-ha frontman is slowly, inexorably pulled off the stage and into a frenzied pit of hormones and fake nails. Within seconds he’s stripped naked and the ravishing begins...


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