Saint Saviour With some deservedly impressive reviews rolling in for her latest album, In The Seams, there’s a better turn out for tonight’s gig at the Hairy Hounds than there was back in 2012 when Saint Saviour last played here. At that time she was seriously considering packing touring in altogether as, in common with a sadly growing number of artists, she was pretty much doing everything herself which is undoubtedly (a) pretty ruddy time consuming and (b) soul destroying if the turnout’s a little, ahem, slim.


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Saint Saviour Who’d have thought it eh? B-Town’s now seemingly home to the rebirth of old skool house! At least it will be if Greg Bird and Flamingo Flame have their wicked way. Sporting a sparkly eye mask, leather gloves and chain of fairy lights Bird knocks out the kind of tracks that crate digging DJs would willingly sacrifice their Numark turntables for. Singing live with a dude on an array of laptops and electronic gizmos and a guitarist adding additional colour to some of the quieter tracks (shades of Durutti Column in there perhaps) it was a masterclass in bringing this kind of music to life, one of the most glorious, soul lifting, hand in the air like ya just don’t care sets you’re likely to see. Both Animals and Skool (pick of their latest must have EP, Black Tableaux) were stunningly good, temporarily transforming the Hare & Hounds into some kind of fabulously sweaty gay disco in 1980’s Chicago. That’s a rather marvellous thing by the way. Simply one of the most exciting new bands in Birmingham.


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Saint Saviour Who’d have thought it eh? B-Town’s now seemingly home to the rebirth of old skool house! At least it will be if Greg Bird and Flamingo Flame have their wicked way. Sporting a sparkly eye mask, leather gloves and chain of fairy lights Bird knocks out the kind of tracks that crate digging DJs would willingly sacrifice their Numark turntables for. Singing live with a dude on an array of laptops and electronic gizmos and a guitarist adding additional colour to some of the quieter tracks (shades of Durutti Column in there perhaps) it was a masterclass in bringing this kind of music to life, one of the most glorious, soul lifting, hand in the air like ya just don’t care sets you’re likely to see. Both Animals and Skool (pick of their latest must have EP, Black Tableaux) were stunningly good, temporarily transforming the Hare & Hounds into some kind of fabulously sweaty gay disco in 1980’s Chicago. That’s a rather marvellous thing by the way. Simply one of the most exciting new bands in Birmingham.


Want to see and read more? Click here
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