Leftfield Shock and awe!! Leftfield are playing the O2 Institute in Birmingham... what?! Really?!! For me this was a gig not to be missed. Leftfield's 1995 release 'Leftism' was one of the most important soundtracks of my youth. More than any other record the heady and fascinating rhythms of Leftism, were the perfect accompaniment to a few drinks and 'indoor boogie' getting ready with chums for various heavy techno and psychedelic all-nighters in the heart of Birmingham and it's more bohemian quarters.


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Just Talk After fighting our way through the infighting Tories currently polluting the good streets of Brum and dozens of Horrors fans (they were also playing The Institute tonight...The Horrors that is, not the Tories...) the relative peace and tranquillity of The Temple (think of it as The Institute’s loft conversion) came as a blessed relief. Of course you can have too much peace and quiet though.


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Scott Bradlee and Postmodern Jukebox Okay, so imagine if Lady Gaga had hung around the Noo Yoik jazz clubs of the 30s and 40s or if Robin Thicke had been ‘blurring lines’ in Appalachia back in the 50s? That, in essence, is the brilliant but simple premise behind Postmodern Jukebox, take ‘modern’ pop songs and re-imagine them adding a little (or in most cases a lot) more musical magic all with a distinctively vintage twist. To quote the chap behind it, US jazz musician Scott Bradlee, it’s all about the creation of “an alternate pop universe” (and let’s face it some of today’s pop songs...and their singers...could certainly do with being transported to an alternate universe at times). It’s been pretty ruddy successful too, with one of the group’s best efforts, a heartbreakingly poignant cover of Lorde’s Royals sung by a 7ft tall clown (yep, seriously), picking up almost 8million hits on You Tube to date...and all without the aid of breakdancing kittens, grannies battering would be muggers or drunk frat boys falling off roofs. Impressive eh? Now, after a sell out US tour, the Jukebox has popped over the Atlantic for a mere handful of dates, one of which is in Brum’s suitably vintage Institute.


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The Correspondents Having formed in 2007 it’s taken a whole 7 years for The Correspondents (DJ Chucks and singer/dancer Mr Bruce) to get around to releasing their debut album. But then again Mr Bruce (aka Ian Bruce) also has a career as an artist to keep him busy so we can kind of forgive them. Besides that given the energy that he expends during tonight’s gig I reckon he probably needs to lie down for a month or six every time they play live...


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Public Service Broadcasting They might not be the first group to have ever used samples from vintage films (older readers may recall through an ecstasy addled haze that The Prodigy started off their career by sampling that old Government ad advising kids not to go off with strangers...possibly using ‘charly’ in an entirely different context altogether) and I’m pretty sure there may have been a few others (answers on a postcard please...). But whereas these bands have often just used the odd sample to flavour one of their tracks Public Service Broadcasting (the band) are building their entire career around them. It’s a neat twist, enhanced by the duo’s adoption of stiff upper lip monikers – J. Willgoose, Esq and Wrigglesworth – and their distinctly vintage live shows.


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