Beverley Knight As if she really needs a reason to be back on stage in the West Midlands, Beverley Knight was in town last night, bringing her 'I Love Soulsville' tour to Birmingham's Symphony Hall.


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John Grant Here at GigJunkies we're lucky-so-and-so's as we go to some fantastic events and festivals. John Grant is just one of those events. Since our review of the intimate Royal Shakespeare Company gig back in 22 June 2014, John has released his glorious "Grey Tickles, Black Pressure" album back in October 2015. Interestingly he touched upon the reason for the title explaining that "Grey Tickles" is a translation from Icelandic to describe entering middle-age, which is a lovely way to see it, far more cheeky and certainly in John's style. "Black Pressure" was also mentioned as being Turkish for "nightmare", which was quite the opposite from tonight, as it was a dream.


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Mostly Jazz, Funk and Soul Festival in Birmingham, 10 + 11 + 12 July 2015 Want to know how great this year’s Mostly Jazz, Funk & Soul Festival was? Try this for size... Public Enemy rolled up on Friday to headline that night and loved it so much they came back on Saturday to watch Roy Ayers before heading over to the Moseley Dance Centre for the after show. Rumours that they’re recording DO Believe The Hype as the festival’s new official anthem are still unconfirmed but if you see Flavor Flav queuing up in the Kingfisher Fish and Chip Bar anytime soon don’t be surprised.


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Young Fathers From winning both the Mercury Prize and the Scottish Album of the Year Awards in 2014 (for Dead and Tape Two respectively) through to earning the kind of gushing praise that’s normally reserved for visiting deities Edinburgh’s Young Fathers seemingly came from nowhere. They’ve actually been a going concern since hooking up at an under 16s hip hop night in 2008 though, fusing three distinctly different backgrounds (Liberia via Ghana, Maryland and Drylaw, apparently a suburb on the outskirts of Edinburgh...who says the internet ain’t educational eh?) to create something that’s undeniably different. And at this stage in musical evolution development that’s a pretty rare thing indeed.


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Royal Blood Here at GigJunkies we're lucky-so-and-so's as we get to go to some fantastic events and festivals. "Royal Blood" is just one of those events. Coming off the back of their recent best British group for 2015 prize win; these guys are on a crest of a wave at the moment. They appear to be level-headed and down-to-earth guys, and it is certainly doesn't appear to be adversely affecting their humility in-front of this avid Wolverhampton Civic crowd.


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Just Talk After fighting our way through the infighting Tories currently polluting the good streets of Brum and dozens of Horrors fans (they were also playing The Institute tonight...The Horrors that is, not the Tories...) the relative peace and tranquillity of The Temple (think of it as The Institute’s loft conversion) came as a blessed relief. Of course you can have too much peace and quiet though.


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The Waterboys Would Morrissey pop along for a quick guest appearance during Johnny Marr’s set (ahem...)? Would Richard Thompson ride onto the stage on a Vincent Black Lightening 1952? And would The Waterboys show us the whole of their moon...yes...it’s Moseley Folk Festival time again!


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Larkin Poe Okay, quick quiz for you...how many famous ‘Poes’ can you name? Go on...if you’re lucky you might just come up with the one, the granddaddy of horror himself Mr Edgar Allen Poe. Even so I was more than mildly surprised to discover that tonight’s band, Larkin Poe (sisters Rebecca and Megan) are actually related (albeit distantly) to the dude behind The Raven, The Tell Tale Heart and The Fall of the House of Usher (serves him right for releasing rubbish records...). Cool eh? Formerly trading as The Lovell Sisters (that’s the sister’s surname, Larkin Poe was their great, great, great grandfather and cousin of Edgar), Larkin Poe have been around since 2010 and tonight they’re fresh from Glastonbury...well as fresh as you can be after spending several days ankle deep in mud and...er...other ‘stuff’...I guess.


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John Grant Gemma Ray strikes me as the sort of girl you might see in a Tarantino movie, with her retro beehiveesque hair, and knife wielding guitar strumming, she’s that heady mix of ‘sweet sixteen’ & edgy B girl femininity. Ray has already a large number of album’s under her belt, and brings a selection here tonight along with her bequiffed and enthusiastic drummer, and shoe gazing bass player. It’s hard to define Ray’s music so many are it’s influences, from bottle slide blues to spaghetti western soundtracks, I’m quite surprised to learn she’s not American (but from the south of England). Central to her sound is the use of a customised Hagström guitar, which she wields with ease, later in the set drawing her large blade like a gun and pulling it across the strings to dramatic effect, eventually discarding the knife like a scene from a fairground sideshow. Ray is the perfect lead in to John Grant, the headline act tonight.


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Scott Bradlee and Postmodern Jukebox Okay, so imagine if Lady Gaga had hung around the Noo Yoik jazz clubs of the 30s and 40s or if Robin Thicke had been ‘blurring lines’ in Appalachia back in the 50s? That, in essence, is the brilliant but simple premise behind Postmodern Jukebox, take ‘modern’ pop songs and re-imagine them adding a little (or in most cases a lot) more musical magic all with a distinctively vintage twist. To quote the chap behind it, US jazz musician Scott Bradlee, it’s all about the creation of “an alternate pop universe” (and let’s face it some of today’s pop songs...and their singers...could certainly do with being transported to an alternate universe at times). It’s been pretty ruddy successful too, with one of the group’s best efforts, a heartbreakingly poignant cover of Lorde’s Royals sung by a 7ft tall clown (yep, seriously), picking up almost 8million hits on You Tube to date...and all without the aid of breakdancing kittens, grannies battering would be muggers or drunk frat boys falling off roofs. Impressive eh? Now, after a sell out US tour, the Jukebox has popped over the Atlantic for a mere handful of dates, one of which is in Brum’s suitably vintage Institute.


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Courtney Barnett I was pretty much sold on Courtney Barnett from the moment I discovered that one of her songs was called Avant Gardener. Clever. I do love a good pun. Happily the track’s as impressive as the title which, despite a still relatively low profile over here in the UK (Courtney’s from Melbourne), probably explains why this gig at the Hare and Hounds sold out a while back.


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Goodnight Lenin At last, after a gestation period that makes the average Elephant birth seem a tad premature (apparently it takes around 2 years between getting jiggy and wetting the baby’s trunk...who’d be a lady elephant eh?) this year will finally see the release of Goodnight Lenin’s debut album. Definitely. 100%. No question at all. Hurrah! To prove they can deliver the goods against the clock a few weeks back they set themselves the challenge of recording, mixing and mastering a single for Record Store Day in just one mammoth 24 hour session. The resulting recording, just 24 copies of which have been pressed, will be sold on Record Store day itself, this Saturday 19th April (hence the timing of this gig I guess).


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CHVRCHES I’m sure there’s a great reason why Chvrches spell their name that way, even if it does send the old spellchecker into a full on meltdown. Hold on...I’ll look it up. Right, apparently it’s because if you put Churches into Google (other search engines are available...unless Google want to pay me £500,000 in which case GOOGLE ROCKS) all you get are loads of websites to do with ding dong bells, Jesus, God and all that schnizzle kind of churches. As you’d reasonably expect I guess. Quite why they didn’t just choose a different name isn’t explained but we’ll let that lie...


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Dan Le Sac vs. Scroobius Pip It’s been nearly seven years since Le Sac and Pip’s first hit, Thou Shalt Always Kill, a deliberately provocative swipe at the mindless hero worship of many a sacred musical cow (everyone from The Beatles through to Lostprophets... hmmm they may have had a point there in retrospect). Okay, perhaps it had a vague whiff of the novelty one hit wonder about it but the pair have since gone on to produce some of the freshest most thought provoking hip hop around, hence the pretty much capacity crowd tonight.


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