Good Charlotte "Who has been listening to Good Charlotte for a long ass time? We’ve grown up together haven’t we? Let’s go back…" Good Charlotte performed the final show of the European leg of the Generation Rx tour Wednesday night at the iconic Alexandra Palace. Surprisingly, it was their biggest show in the UK since the band formed in 1996. Although the show wasn’t sold out, the grand venue was chock-full of atmosphere and pop punk devotees sticking to the unofficial dress code of a hoodie and vans ready for an alternative night to sitting at home watching the Brit Awards.


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Bastille Bastille have plucked at the heart strings of fans since 2010. An amalgamation of their captivating sound, moving lyrics and charismatic presence make them easy to love. Their mix of experimental mash-ups, rock textures and dance rhythms mixed with Dan’s blissfully choral voice make them one of the most dynamic Indi-pop bands around. Bastille have put on the most incredible performances in the past, but on Saturday night Bastille stepped it up a level as they performed the penultimate date of the UK leg of their ‘Still Avoiding Tomorrow Tour’ at the iconic O2 Academy in Brixton.


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Bastille Almost unclassified in genre, four-piece Bastille are known for their echoic-indie synth vibes, now they present us with their Reorchastrated tour an element that enhances their fan base to all ages.


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Tom Walker We meet Tom Walker exactly halfway through his biggest tour to date and wait in anticipation to see what the singer-songwriter has brought to the table this time. It’s been just over a year since we were last left melodically satisfied from his exceptionally promising performance at The Sunflower Lounge, not even a 15 minute walk away from where we stand at the O2 Institute in Birmingham. It’s fair to say that since then Tom has nabbed some great achievements. From releasing his first EP, to playing at Glastonbury festival and Radio City Hall in New York his worldly presence and intriguing music has captivated a huge audience and it’s no surprise the tour is sold out.


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London Grammar Gracing the stage to a warm welcome of applause London Grammar kicked off their Birmingham show with 'Who Am I' from their much awaited new album 'Truth Is A Beautiful Thing'. Followed by two classics 'Flickers' and 'Help Me Lose My Mind', taken from their 2013 hit album 'If You Wait'.


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Bear's Den As the London based duo Bear's Den graced the stage they were met with an excited cheer from the packed out Nottingham Rock City crowd, and effortlessly chimed into first track 'Red Earth & Pouring Rain', closely followed by 'Emeralds'. The stage was alight with a warm golden glow that cast a misty haze across the band which had you believing you could quite easily be at a folk festival rather than cramped into a two tiered room in the middle of the East Midlands.


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Glass Animals A dense colony inhabited Birmingham’s O2 Institute on Friday night, long-anticipating the indie-tronic hums of Oxford’s alt-rock band, Glass Animals. Headlining their very first Birmingham gig, their colossal fan base (unbeknown to me) penetrated my ear-drums upon the lad’s entrance to the stage.


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The 1975 Returning to their home-town just off the back of their U.S tour, Manchester manufactured The 1975 gathered a worthy crowd in all its immensity at the Arena on Tuesday night.


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James TW Squeezing through a packed Brummy crowd, fresh faced James TW emerged from a very glamorous side door and hopped onto the stage ready for action at The Sunflower Lounge, Birmingham. Grabbing his guitar and bursting straight into 'Naked' almost immediately his voice was on top form from the get go, effortlessly gliding through trills and runs with ease much to the delight of the already excited crowd.


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Panic! At The Disco It feels odd referring to Panic! At The Disco as a “band” when in fact, technically it is now the solo project of front man Brendon Urie after original members parted ways a couple of years back. Not that you would know this from the music as Urie has stayed true to Panic’s happy but emo but edgy but a little bit racey style with new album Death Of A Bachelor.


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Kaiser Chiefs Suave in his entrance and charming in ego, front-man Ricky Wilson immediately presents the naughties established indie pop rock band, Kaiser Chiefs, by stirring up an animated Everyday I Love You Less and Less from fame-making album Employment. Instantly igniting the energy of the band and fans, the addictive lyrics had Ricky destroying music equipment and climbing on drums within minutes of entering the stage.


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